I’m sure it’s hard to believe, but even I was a kid once. A very creepy and morbid one, as you may have guessed. And being the very obsessive and painstaking person I am (in some regards), I have preserved almost every scrap of art I have ever made in my entire life. This website in itself can serve as somewhat of a window into my journey as an artist, since I have been updating it since 2010. But even before that, I was making art. And since most of that childhood art is now irreparably damaged, I have been photographing and backing up every single lick of it before burning it in a series of bonfires with my best friends.
Here are a few of the pieces I have documented (there are hundreds, if not thousands, in total). Hover over each image to see the story behind it, or click for a bigger view with the description.
I made this little dude for my dear friend Cora Dean. (I need to show y’all the gorgeous magical girl plague doctor she sculpted me sometime.) But anyway, she loves the Mothman and so do I.
And here’s progress shots of me making him, at my cheerfully Christmas Penguin themed kitchen table. Yes, my kitchen table is and shall forever be my art studio.
I spent the month of October 2018 (or #inktober2018 if you will) doing a series of ink drawings based on stories contained on the SCP website. If you haven’t come across them yet, they’re a treasure-trove of cooperatively created weird fiction and horror. I may do another SCP series one day: the stories are always being added to.
Below is the entire series. The first one is a kelpie or river horse, another favorite creature/monster of mine but not drawn from a specific SCP story. Continue reading
Amy Wilke has been known in the past for her wonderful cut-paper works, but more and more recently she has been letting us see her equally marvelous talent for clean, hyper-detailed ink drawings. Paired with her whimsical and macabre subject matter, her rich and delicate linework will have you staring raptly at each piece for minutes upon hours. There’s always more to discover. But don’t take my word for it, have a look at these pieces from her “Still Lives: Wunderkabinett” show.
I was reminded of this amazing show a few days ago when I saw one of Amy’s pieces over at a friend’s house. The show actually took place last year, but since 2014 was a very busy freelance year for me I haven’t been able to document it properly until now.
When I first saw the show I was immediately reminded of the concept of studiolo, something a former art history prof of mine told me about long ago. The studiolo (or “study”) was a special room that was richly appointed with interesting and mysterious paintings, myriad books, curiosities, tools of science and writing, and objects d’art. The room’s function was to serve as a place for a learned man to sit musing or contemplating deep and interesting things. He would turn over the room’s curiosities in his hands, examine a book or skull or sculpture, and perhaps come away with a new understanding of some minute aspect of our universe.
It came as no suprise when I went to find the meaning of “Wunderkabinett” that it was basically the German counterpart of the Italian studiolo, a “cabinet of wonders” that contained strange and interesting objects that invited the owner to handle and contemplate them in quiet moments.
The insects, skulls and other curiosities in these delicate and exacting drawings bring to mind that same appreciation and worship of the natural world, while at the same time underlining how beautifully disturbing and uncanny it can really be. Every cell and and scale is lovingly imagined, giving almost infinite facets to these gems. I think these particular pieces might all be sold by now, but you are always welcome to check out Amy at Paper Raven Art + Design and see what she has brewing now…or even better, commission something of your very own.
This is a very old work, back from when I didn’t have a scanner and I had to get my friend to try and scan my things for me on her ancient, horrible scanner or snap pictures of them. …so you can probably guess what’s up with the image quality.
Regardless, this is a watercolor with pen and ink that I made of some sort of goddess or Artemis-like figure with her back turned to us, making moons out of the formless void. I’m very fond of it, and I hope I find the thing again someday! I think it may be somewhere among my things but I don’t even know for sure.
This is a recent 2013 work from my last solo show! I named it after Kazuo Umezu’s amazing comic because his story dealt with a machine becoming sentient. For some reason my monstrous floating daisy achieving a sympathetic connection with a huge machine reminded me of reading this comic.
Now available on Society6||Redbubble. Below is a slightly larger version for you.
Oracle, a new piece completed for my last solo show. This is a digital collage using a pen and ink drawing of mine finished on the computer. Available as a print through Society6! Bigger size:
This creepy little piece is a digital collage consisting of two pen and ink drawings, combined and finished on the computer, to fulfill a “ghost” prompt back in late 2012/early 2013.
The title “New Land” refers to destination of the ghostly herd ascending into the night sky.
“ABOVE” (c) Sandpaperdaisy, 2013. Digital mixed media using pen and ink drawings.
Available at my Society6 store!