BEYOND, new solo show at Wesselman Nature Center

heather landry solo show at wesselmans nature center evansville indiana summer 2015

I’ve got a 36 piece solo show running at Wesselman Nature Center, Evansville IN through July 25! Here’s the event page. It’s full of tons of photos of the new art, but even those photos don’t touch the actual number of pieces I’ve got hanging. It is an immense show.

Come in and check out the nature and sci-fi/fantasy themed art, as well as lots of cool critters and beautiful nature trails and birdwatching!

https://www.facebook.com/events/490680671098170/

Artists: 6 Reasons you should team up with a good freelance writer

Friends Lauren Tharp LittleZotz Writing and Heather Landry Sandpaperdaisy Art

A few years ago I became friends with Lauren Tharp of LittleZotz Writing. I didn’t know she was a freelance writer, only that she was the significant other of my incredibly talented artist buddy Ramiro. When I did find out about her occupation, I was mildly interested simply because I wanted to get to know her. Little did I know exactly how invaluable it is for an artist to know a good freelance writer, or how mutually beneficial our friendship would prove to be over the years.

Here are a few reasons why you really need a good freelance writer in your life too! Continue reading

The basics of setting up Patreon from a clueless comic Creator

Sandpaperdaisy Art on patreon

As of early this morning, I have a Patreon page! It was all unfamiliar to me, so I’ll share what I learned while setting up.

Keep in mind, I just learned about Patreon yesterday. I’d seen it once or twice before but I didn’t understand the mechanics. Well, I stayed up all night until my eyes bled, reading over everything and carefully combing through other creator pages. Here’s what I gleaned: Continue reading

A look back at…Amy Wilke’s Still Lives: Wunderkabinett

Amy Wilke has been known in the past for her wonderful cut-paper works, but more and more recently she has been letting us see her equally marvelous talent for clean, hyper-detailed ink drawings. Paired with her whimsical and macabre subject matter, her rich and delicate linework will have you staring raptly at each piece for minutes upon hours. There’s always more to discover. But don’t take my word for it, have a look at these pieces from her “Still Lives: Wunderkabinett” show.

I was reminded of this amazing show a few days ago when I saw one of Amy’s pieces over at a friend’s house. The show actually took place last year, but since 2014 was a very busy freelance year for me I haven’t been able to document it properly until now.

When I first saw the show I was immediately reminded of the concept of studiolo, something a former art history prof of mine told me about long ago. The studiolo (or “study”) was a special room that was richly appointed with interesting and mysterious paintings, myriad books, curiosities, tools of science and writing, and objects d’art. The room’s function was to serve as a place for a learned man to sit musing or contemplating deep and interesting things. He would turn over the room’s curiosities in his hands, examine a book or skull or sculpture, and perhaps come away with a new understanding of some minute aspect of our universe.

It came as no suprise when I went to find the meaning of “Wunderkabinett” that it was basically the German counterpart of the Italian studiolo, a “cabinet of wonders” that contained strange and interesting objects that invited the owner to handle and contemplate them in quiet moments.

The insects, skulls and other curiosities in these delicate and exacting drawings bring to mind that same appreciation and worship of the natural world, while at the same time underlining how beautifully disturbing and uncanny it can really be. Every cell and and scale is lovingly imagined, giving almost infinite facets to these gems. I think these particular pieces might all be sold by now, but you are always welcome to check out Amy at Paper Raven Art + Design and see what she has brewing now…or even better, commission something of your very own.

amy wilke still lives wunderkabinett playbill

The many faces of Daedalus…how do you feel about re-using your art?

a repeating row of dissected mudpuppies combined with airplane blueprints in bright neon colors

This piece is one of many versions of this linoleum block print I did for the 2012 Hand Prints show:

linoleum block print of dissected mudpuppies melded with airplane blueprints.

A friend of mine had a lot of fun taking it and coloring on it to create three collaborative pieces as well:

daisytrog_collaboration_3_by_troglodytespacebird-d57b54x

daisytrog_collaboration_2_by_troglodytespacebird-d57b522

daisytrog_collaboration_1_by_troglodytespacebird-d57b4yy

And lastly, I recently used them in different pieces for my December 2013 solo show:

polygons and viscera, goya reference

The Sleep of Reason on Society6||Redbubble

Bone and syringe butterflies merge into black polygons which in return become flying lizards. An homage to Escher's Metamorphoses.

Ergo Sum

In other words, those mudpuppies really got around! I’m not sure when I first hit upon the idea of using my own art as collage to make new pieces, but I’m currently using the same approach on my Kaguya Hime piece in progress. Part of a totally unrelated piece (Moonlit Night, in fact!) is supplying the huge swollen moon behind the princess.

I personally like finding new ways to use different elements I’ve made that lend themselves to replication (mainly my digital and block prints) because that way, as an artist I still have the option of finding a better way to finish a work of art. If something I made doesn’t stand out in its original setting but later becomes much more successful in a completely different context, I feel very gratified. I have also done this with very old art, using amateur monoprints as effective and vibrant backgrounds for newer, more skilled block prints or incorporating crude paintings from my youth into new collage art.

How do you feel about re-using a piece of art or making series based on many variations of an element you’ve created?

The Crowd

“The Crowd” is another very popular piece, appearing in The Horror Zine, two collaborations on deviantART, and also as promotional material for a recent horror novel, “Starers” by Nathan Robinson.

I’ve had a lot of people ask me what my deep meaning is here and propound several theories of their own, very in-depth and well-thought out theories at that. I myself was just portraying a kind of archetype I’ve always had in my head, that of the faceless, menacing crowd closing its ranks against outsiders, free from personal culpability and devoid of compassion and empathy.

The Crowd is on Society6||Redbubble.

Amazing new work by Gary Logan Hobdy

Two lovers in motorcycle helmets painted in a graffiti style

I hope you’ll excuse my horrible camera photos. These are a few of the pieces from Gary’s new solo show: “Too Much/Not too Much” at PG Gallery and Cafe. The show runs until March 15 so get on down there if you’re in the Evansville area! I’m not exaggerating when I call it an “amazing” show, but see for yourself…the following are a few pics Gary graciously allowed me to share from the show.

Gary runs MiLKSOP STUDiO and is pretty much phenomenal! I don’t know if you can tell much from my photos, but he uses various collage elements in his work like music sheets, labels and graphs, and I believe he achieves his impressive linework with ballpoint pen among other things. His bold lines and bright solid colors remind me of graffiti. At the same time, he treats his subjects with a great deal of sympathy in a way I honestly find beautiful and touching. (Hopefully that won’t piss him off.)

I’ll be featuring more great local artists and shows as I go to them. I had intended to do so before because there’s no dearth of talent in my modest little city, but I haven’t had the occasion until recently. As you’ll see, I’m incredibly fortunate to work with so many amazing people.

Cthulhu fhtagn

In his house at r'lyeh, dead cthulhu waits dreaming in this sinister undersea depiction of the Great Old One.

I made this a couple of years back for a Night Gallery show but I would have done it anyway. I absolutely adore H. P. Lovecraft and “The Call of Cthulhu” is a magnificent story.

I need to illustrate more of his works, there are so many I love. So far I’ve tried drawing the High Priest of Leng from The Dream-Quest of Unknown Kadath, Nyarlathotep’s form from The Beast, a Fungi from Yuggoth, the Colour Out of Space, and Walter de la Poer from The Rats in the Walls. I’ve made a little one-inch Re-animator pinback button too! There are many more things I want to try.

Cthulhu here is available as a print, iPad/laptop case, and other things on Society6||Redbubble.