The Art Vault 4: Bind

a sad woman with a ponytail crumpled up and drawn with an almost rock-like texture using charcoals, surrounded by white stitching

I’m honestly not sure when this is from…at a guess, 2001 or 2002 at the latest. I used charcoal to draw the woman and managed to get a nice rocky texture for her skin by using the sides of my charcoal stick. (it happened as an accident the first time, like most of what I do.) I added to her sense of confinement and hopelessness by stitching the matboard around her with embroidery floss.

I thought she was sold for the longest time, but then she turned up again the other day. I guess she’s imprisoned by my horrible storage techniques. I’ll try and remember to actually take her to my next show.

The Art Vault 3: Moon-Making

an old watercolor and pen and ink by sandpaperdaisy

This is a very old work, back from when I didn’t have a scanner and I had to get my friend to try and scan my things for me on her ancient, horrible scanner or snap pictures of them. …so you can probably guess what’s up with the image quality.

Regardless, this is a watercolor with pen and ink that I made of some sort of goddess or Artemis-like figure with her back turned to us, making moons out of the formless void. I’m very fond of it, and I hope I find the thing again someday! I think it may be somewhere among my things but I don’t even know for sure.

The Art Vault 2: Old acrylic paintings

It’s kind of funny, you’ll be thinking by now that all the old art I made was abstract. Actually, most of it was representational. Back when I was learning the basics I mostly drew people and mythological subjects. But for whatever reason I keep digging up images of old abstract work!

These paintings were actually rather large, being about 24×36 gallery wrap if I recall correctly. The orange and blue one was called “Blaze” and was commissioned as a gift for an entrepreneur/millionaire friend of my grandmother’s. This man, who had no doubt seen (and bought!) just about every fine thing imaginable in his lifetime acted absurdly impressed and happy about receiving my humble painting. He was very sweet.

The purple/tan painting, “Thistle Brae,” was commissioned as a gift for Sir Sean Connery. (Yes, that Sean Connery. What can I say, my grandmother gets around.) I used my mother’s potato masher thingy for the grid pattern under the thistle blossoms. I think it was the first time I ever used it…though now I frequently demolish carrots with it to sneak them into my children’s pasta. Anyway…if Connery hasn’t buried this odd painting in the back of a closet or given it away, it’s still knocking about his private collection somewhere.

Humorously, I used to do a comic called Things Fall Apart for a local entertainment rag that featured Connery as a recurring character, and it was these comics he professed to like the best among my art. “The ones with me in them are the funniest” according to him. He might have something there.

I’m particularly proud of one image I drew once of him astride a unicorn with laserbeam eyes, riding next to Optimus Prime. Perhaps he treasured that one too. Sadly, I still haven’t gotten to meet the man after all these years. At the present time a big stack of my comics autographed with his distinctive (huge!!) signature are all I have…

The Art Vault: Old monoprints

blue and orange abstract monoprint using embossed folds of satin to create a form.

I just love looking at old pieces now and then. These little beauties are probably from 2000 or 2001 at the latest. Simple monoprints using an inked plexiglass plate, I created the different shapes and patterns on them by using the ink roller itself. In the print above, I also tried taking a swatch of satin from an old bridesmaid gown of mine and running it under the press with the plate, creating the above pattern on the paper. I liked how it worked and went on to use the method in another monoprint, Achyra. Once I find some record of that one (if I do) I’ll show you. It left me at last year’s Hand Prints.

an orange green and blue monoprint created by making patterns on the plexiglass plate with an ink roller.