I am both proud and humbled (if that’s possible?) to announce that I just did my first podcast, over at MuseHub, with my longtime friend and colleague Lauren Tharp of LittleZotz Writing! Continue reading
It’s that time again! The Ides of March were upon us when PG Cafe and Gallery opened their awesome annual group myth-themed show. Our work will hang until April 20 and there’s some awesome stuff there this year. I’ll try to do a posting of a few different pieces if I get the chance, but admittedly March is one of my more insane months so we’ll see. Possibly closer to show closing to remind people to get out there!
In the meantime, here’s the piece I have in the show. Some lucky person has already claimed the first 16×20 archival canvas of “The Return of
Cortes Quetzalcoatl,” but I’ll try to have smaller prints in time for Spring YART. Continue reading
The New Harmony Gallery of Contemporary Art is currently hosting a group show of female illustrators! I’m privileged to have my stuff hanging next to the art of several truly amazing women.
Here are a few highlights from the show but as always, if you want to see more…you’ll just have to go! Continue reading
I am incredibly proud to have “SEEK” in this show. As you can see from these previews, the art is top-notch. Continue reading
It’s that time again! Christmas shopping season. And the Arts Council of Southwestern Indiana will be having their annual Holiday Art Sale starting November 13.
I’ll be putting in cute felt animals in this sale as well as in the Wesselman Nature Center’s Art in the Wild show on November 18, so enjoy all the cuteness!
“Twin solo shows” probably sounds a little weird, but basically I’ve got exhibitions running concurrently at The Dapper Pig and Blick Art Materials, both in Evansville, Indiana. They both run through June! Continue reading
The Pretty Sun is from a nightmare I had back in June 2010 about the world ending as I’m riding alone on a bus.
I initially made a comic short about the dream, you can find it here on/after November 6th 2017.
100 Keys is taken directly from the description a friend gave me of her recurring nightmare, some years ago. When she first saw it, she said I had “taken her breath away.”
100 Keys will later be completed as a short comic.
Tonight at an art reception I was very rightly advised to offer my digital art in limited editions. I’ve been sounded on the issue many times before, and I recently had fun offering a limited run of painted archival prints for Kickstarter’s make100 promotion. So why don’t I do this regularly?
Quite simply, limiting my art would be in direct conflict with my personal goals. Firstly, I want every person on Earth to be in possession of my art one day. Secondly, I want everyone who genuinely loves a piece of my art to be able to have that piece in some way, shape or form. Lastly, I want my art to change lives.
This means that the vast bulk of my art must necessarily be unlimited, widely shared, and affordable to everyone. My idols and role models are the artists who tag trains or illustrate comics, books and album covers that embedded themselves in the public consciousness.
My artist seal deliberately references Henri de Toulouse-Lautrec, because he made amazing posters that were discarded after an event, and the Japanese ukiyo-e artists of old whose brilliant and colorful woodcuts were used as wrapping paper and box stuffing before they were wadded up and thrown away.
I have no desire to make myself sacred, or even to make myself rich. All I want to do, before I die, is make myself felt.
I do have a soft spot for my fans and clients, however. So, if someone commissions an exclusive or limited piece, and I know they like the actual art and don’t just want a valuable piece of colored paper with resale value, I’ll accommodate them. I know people like traditional pieces and sketches too, and I try to always bring a good number of my traditional pieces for those who must have a unique item. I’m not made of stone.
But I’m also not here to line anyone’s pockets by deliberately creating art with the main point of being collected and resold. If a person does not genuinely like and want a piece of my art, I’d rather not sell it to them. I’d rather sell a $15 print to an excited teenager than a $1000 limited edition something-or-other to a collector who doesn’t look at it except to gauge its future market value.
In the latter case of someone only buying my art as an investment, I haven’t touched anyone. Worse, a piece of art that I truly cared about is now buried away in some warehouse or in a single person’s residence. One of my art professors once stated, “A museum is a place art goes to die.” It’s a similar situation to me when someone buys a piece just to hide it away and treat it like a precious commodity. Art is not only for the privileged, and it must move out in the open, among everyone, to stay “alive.”
So if you’ve ever wondered why I’m not rich, now you know!
Show runs from April 1-May 6 with a reception on Thursday, April 20th at 5:30pm. Come see us there!
Here’s images from the online article and a full shot of the physical newspaper article.
First off let’s get the link out of the way: http://tapastic.com/sandpaperdaisy
If you hit that, you’ll see my profile on there. On the far right is the Series column, and I am going to be stuffing that column in the months to come! The first of these is called Awake.
Awake premiered in Winter 2006 and came from my own life. I was newly married, slowly learning to stop objectifying my husband and start loving the real, three-dimensional imperfect man. The first stages of my love, where I thought of him as my angel who was there to fix me, were more empty…an emotional echo-chamber. Once I recognized him as a complex human, someone wholly apart from myself, our love became more rich, warm and satisfying.
Awake will update once a week, every Monday. It is 30 pages long. But the comics don’t stop there. After Awake, here’s what you’ll see:
The Ruby Machine
The Stone Squirrel with new material: *true ending*
The Pretty Sun
The killing of Dreams
Tales from the Clarkside complete online for the first time
The Ocean with new material, comic finish
That, is going to be a lot of damned comics. And after all those, I will have merely prepared the way for what I truly want to show you.
But first, I invite you to walk the path I have walked. I hope you enjoy yourself as much as I have.
Hey guys! I am very thrilled to announce that I’m running a (currently funded) kickstarter campaign for the purpose of selling painted archival matte prints of Robot Mermaid and The Queen of Air and Darkness, a new black and white fractal work depicting Queen Morgause of Arthurian legend.
Here’s the kickstarter link: https://www.kickstarter.com/projects/sandpaperdaisy/make-100-painted-art-prints-robot-mermaid-dark-que
As for this special Painted edition, this means I will be doing a limited run of archival matte 8×10 prints, and that this run will feature artist brushstokes in gold paint pen for Robot Mermaid, and silver paint pen for The Queen of Air and Darkness.
Below are individual shots of the two prints being offered. If you’d like a print or just want to make a small donation, come check out the page!
I’m also planning to do a kickstarter-themed article after the campaign’s over, to share what I learned!
I’m very happy to be featured at the gorgeous new Rumjahn Gallery along with some of my favorite local artists (and many other awesome ones I’m encountering for the first time)! If you haven’t stopped by yet, you need to…they’ve really done an amazing job with the space. I love their setup and their variety. And if you’re an artist looking to show work, they’re really nice folks!
Here’s the link to my profile, you can see all kinds of neat artists on there.
Rumjahn Gallery and Framery is at 310 Main Street, Evansville IN 47708, and they’re open Tuesday-Saturday 10-5.
Robot Mermaid was featured in this article where I was initially credited as Heather Landrey AKA Sandpaperdais (in case you came here from a search). I’ll update on here when my name/handle get updated, but in any case I was very happy to be included with all these awesome artists in what has turned out to be a truly amazing art show. The show closes this Saturday, so head on down to New Harmony Art Gallery if you get the chance!
As the article explains, my Robot Mermaid was created from fractals. I love the idea of math creating artistic forms, and math seemed the obvious approach for robot art since robots rely so heavily upon math to be designed and created and then go on to perform functions. In this case the fractals form speakers that the mermaid uses to project her enticing song and lure sailors.
The canvas from this show has found a new home, but anyone wishing to have their own Robot Mermaid can email me at email@example.com and I’ll get you set up with your own canvas or matte paper archival print!
Jon and I work great together and often find inspiration in each other’s art! Jon’s beautiful watercolors with their brilliant prismatic colors and playful subject matter (like “50 Shades of Greyhound,” pictured on the far left of our HARMONY flyer) go perfectly with my own bright digital paintings.
Plus, I just love working with this man!